I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
I wrote
What They Didn't Burn: Uncovering My Father's Holocaust Secrets
This novel left me feeling both teary-eyed and ennobled. Superficially, it is about two French sisters living through the Nazi occupation of France during World War II. At its root, however, Hannah deconstructs the essence of survival.
I loved how her characters frame the book’s cosmic questions: What would you do to survive? What compromises would you make? Is it better to fight back aggressively or resist passively? The sisters are of different temperaments and personalities. Each answers these questions differently, painfully. I found myself haunted by these themes long after I put The Nightingale back on the shelf. You will, too.
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
I never imagined becoming completely absorbed by a quasi-philosophical meditation about survival—especially not by a self-styled Spanish intellectual and Communist with a capital "C." I became entranced, however, by Jorge Semprun’s inner struggle to find the words to convey his experiences in the Buchenwald concentration camp.
Of course, he does find the words—powerful, incisive, kinetic – though it took him 50+ years to do so. Why so long? Because, he writes, had he tried to turn his trauma into “literature” earlier, he might well have committed suicide. Instead, he chose life - and went on to co-author Z, the 1970 double-Oscar-winning film, and serve as Minister of Culture in post-Franco Spain.
Jorge Semprun was twenty years old - already an accomplished philosopher and poet - when arrested by Nazis for activites in the French Resistance. He was sent to Buchenwald concentration camp. Literature or Life, a bestseller in France, is a deeply personal account not only of Semprun's time at Buchenwald, but also of the years before and after, of his painful attempts to write this book...created out of obsessions that returned him again and again like themes in a nightmarish rhapsody.His long reverie on life-as-death, now translated with the mesmerizing power of fiction. It is a profound contribution to Holocaust…
If I didn’t know this was a true story, I would have dismissed Unbroken as some overblown Rambo novel. But it is true, and enthralling, and that’s what kept me turning pages.
Louis Zamperini, a 1936 American Olympian turned World War II Air Corp navigator, was shot down and captured by the Japanese. Because of his fame, Japanese guards singled him out for especially harsh treatment. Zamperini’s torment made me angry; his tenacity made me proud. Post-war trauma drove him to the bottle, as with so many veterans. That he overcame spiraling alcoholism through his renewed Christian faith makes for an inspiring story and gives fresh meaning to the very word “survivor.”
From the author of the bestselling and much-loved Seabiscuit, an unforgettable story of one man's journey into extremity. On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant's name was Louis Zamperini. In boyhood,…
I first read Slaughterhouse-Five as a callow college student, concluding with the certainty of youth that this was a brilliant but weird amalgam of dark humor and sci-fi wrapped inside an autobiographical anti-war screed. However, my real ‘duh’ moment came after rereading the book decades later.
The opening line, “Listen: Billy Pilgrim has come unstuck in time” – tells you everything you need to know: It’s about PTSD, written from the inside looking out. Like Billy Pilgrim, I could see myself time-jumping and being abducted by aliens to escape the trauma of war. Interestingly, the term “PTSD,” the acronym for Post-Traumatic Stress Disorder, had not entered our lexicon when Vonnegut wrote Slaughterhouse Five in the 1960s. Poignant and personal, it's still a brilliant amalgam of dark humor and sci-fi.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
An indelible scene: Several Auschwitz prisoners clear rubble from a dark, bombed-out basement. It’s a blisteringly hot August 1944. There is no drinkable water, none. While “hunger exhausts, thirst enrages.” Primo Levi spots a section of broken pipe against a far wall with a spigot near the floor. It holds perhaps a quart of water. He can easily drink it all himself. Or should he share with his best mate? Or with the entire work crew? (Read the book to find out.)
No one writes of the dilemmas of survival more cogently than Primo Levi. A chemist by training, Levi melds a scientist’s precision with spare, insightful writing to show how the prisoner pecking order in Auschwitz meant the difference between death and survival, between the drowned and the saved.
In his final book before his death, Primo Levi returns once more to his time at Auschwitz in a moving meditation on memory, resiliency, and the struggle to comprehend unimaginable tragedy.
Drawing on history, philosophy, and his own personal experiences, Levi asks if we have already begun to forget about the Holocaust. His last book before his death, Levi returns to the subject that would define his reputation as a writer and a witness.
Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer. He…
I wrote this for your average lay reader who knows something about the Holocaust but not much—and doesn’t really care. This is not some academic tome. Rather, it’s a true detective story of secrets and black-market diamonds, of the will and guts to survive unspeakable terror and the resilience to overcome the trauma of war.
As a reporter for 20 years, I figured I had a story after spotting my father’s signature on an Auschwitz registration form. When I uncovered the SS report proving his tale of forged ID cards, foiled escape, British POWs, and the Polish underground, I knew I had a book. To be credible, I also knew it had to be fact-based nonfiction—not “inspired by” or “based on” historical fiction.
"an intense narrative of family and intangible inheritance. . .this novel unfolds like a fragrant, steeped tea." -Chanticleer Book Reviews, 5 Stars
"like a glorious sunrise, we are gifted the 'après,' the hope and goodness of 'after me.'" -Maria Giuseppa, author of R&R: A Feast of Words
A man in France receives a package from America containing an autobiographical manuscript relating the events of a summer long ago.
When Ellande and Madeleine-Grace visit the family summer house on the Alabaster Coast of Normandy for the first time without their parents, they find themselves growing aware of the importance of their…
A man in France receives a package from America containing an autobiographical manuscript relating the events of a summer long ago.
When Ellande and Madeleine-Grace visit the family summer house on the Alabaster Coast of Normandy for the first time without their parents, they find themselves growing aware of the importance of their parents' choices in raising them. Under the care of their beloved Aunt Adèle, they explore their heritage and what their parents stood for while determining the value of customs and traditions of both family and France's stunning Pays de Caux. In the face of cruelty, carelessness, and…
